 |
| Art by Kevin O'Neill. |
The complete piece is available here.
"[... ] The story that Moore needs to tell is a different one. It is not about the psychology that motivates the electorate and their representatives, but it does understand that psychology to be a fraught mess. Everyone involved has a different framework they’re approaching things with, and these are in conflict with one another for multiple reasons, not the least being that many of them are completely deranged. This is depressing on a lot of levels but it also heaps absurdity atop absurdity, and so while times have never been darker and the stakes are incredibly high, almost everything being said by anyone with any degree of power is very stupid all the time now. So it follows that The Tempest often does not seem to drive itself forward using a logic based in realistic characterization or mimetic naturalism. It is written in a register closer to the humor strips Moore wrote in his Tomorrow Stories anthology than it is to From Hell. Tragedy is repeating itself as farce, and Moore knows the material he’s parodying far better than Donald Trump knows Ronald Reagan’s presidency.
The two most recent interviews of Moore’s I’ve seen support the notion that his current work should be read as a political project: He interviewed the writer Jarett Kobek for a Youtube video, wherein Kobek talked about his new book, where an author’s attempts to write a fantasy novel give way to tormented complaining about the overwhelming state of the world. Talking about the impossibility of telling a story at this point in time, Moore nodded in agreement, even though The Tempest does satisfy as a narrative in a way I assume Kobek’s text is disinterested in. A few days before the final issue shipped to stores, Moore appeared on the podcast Chapo Trap House, a show whose political concerns basically correspond to the complaints about milquetoast centrist punditry I’m offering now. [... ]"
The two most recent interviews of Moore’s I’ve seen support the notion that his current work should be read as a political project: He interviewed the writer Jarett Kobek for a Youtube video, wherein Kobek talked about his new book, where an author’s attempts to write a fantasy novel give way to tormented complaining about the overwhelming state of the world. Talking about the impossibility of telling a story at this point in time, Moore nodded in agreement, even though The Tempest does satisfy as a narrative in a way I assume Kobek’s text is disinterested in. A few days before the final issue shipped to stores, Moore appeared on the podcast Chapo Trap House, a show whose political concerns basically correspond to the complaints about milquetoast centrist punditry I’m offering now. [... ]"
You can read the full article here.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.