Art by Claudia Corso Marcucci |
Above, a cool "saint" Alan Moore by Italian illustrator Claudia Corso Marcucci.
Art by Claudia Corso Marcucci |
Art by Carlos Amadeu |
Beautiful A. Moore by Rachele Aragno |
Preliminary digital sketch. By Rachele Aragno. |
Preliminary pencils. By Rachele Aragno. |
Above, Alan Moore going grocery shopping, an illustration by Swedish artist Gustav Örn Samuelson.Art by Gustav Örn Samuelson
DALL·E: Alan-Moore anchoring Fox News with lion-headed serpent drawing. Well, not the best Moore portrait I've seen, I confess... |
The Killing Joke page 1 produced by DALL·E. It's just a joke! |
The Killing Joke, page 1. Gorgeous art by human Maestro Brian Bolland |
Alan Moore: "[...] There we were, unknowingly: my family; Fred and Ada Goodman with their irritating dog; a convicted fraudster from four doors down and all the rest – in dirty heaven without even being dead."
Art by Rafa Mata |
Art by Otto Gabos |
Art by Iskander (IzzY World) Islam |
Iskander (IzzY World) Islam: [...] The man running up the stairs was Alan Moore.Now, as I said, at that time you didn't really know many faces of creators unless they were superstars, Legends or you followed their work - but at this time Alan Moore was at the height of his fame. V for Vendetfa, Swamp Thing and the recently released Watchmen had made Moore a [reluctant] Super Star. He was also very distinctive, all in black with huge hair and a beard. He looked like a cross between Roy Wood and John Lennon.So there I was walking down the stairs and sort of didn't want to disturb him and was pretending to be 'cool' and not act like a fanboy even though inside l was screaming "THAT’S ALAN MOORE!"I suddenly realised all was not well, he was being pursued up the stairs. All of a sudden on the area where the stairs double backed we crossed paths and he was mobbed by a whole bunch of guys - they literally cornered him on the stairwell... it was like something out of the Beatles era!They were all talking at once and he backed up in the corner against the railings. He looked terrified then starting to lose his temper and looked quite taken aback. It was at this point I made a mistake - I turned to go back and as I had a ‘guest’ badge thought I might say something to them but I hesitated. I wish I had said something to the crowd but they probably would've said 'who the f‘**** are you?' or "Who is this kid?" and probably would have got shirty with me. As I was inexperienced at being at comic cons and was just not sure if this was normal, basically, I bottled it.To this day I regret it.I did stay to see that he managed to talk them around to back off and give him space. But the damage was done.Moore has mentioned this period in interviews and in particular the fact that he was once also cornered by fans in the toilets (Dave Gibbons was with him too as I understand). I didn't realise how much it still haunts him!I believe that he avoids comic cons now after that year's experiences at UKAC. To be honest I don't blame him!!!
Art by MxDagger |
Julius "Julie" Schwartz |
Alan Moore: [...] The first poem in Lovecraft‘s cycle is called The Book, and as an example of the way I was thinking at the time, my first piece for Yuggoth Cultures was also called The Book. But in my case it was a couple of pages long, and was an account of me, on one of the first occasions where I’d met Julius Schwartz. Julie had been showing me this huge book of autographs and memorabilia that he keeps in his office to dazzle impressionable young Limeys with. I was looking through this book, which was full of pictures of Julie as a younger man in a long dark coat, with a dark homburg hat, standing on a wintery New York street corner and talking with some fresh-faced newsboy that actually turned out to be Ray Bradbury, and all of these other giants of science fiction and fantasy...So Julie was showing me this, and l got to this small piece of paper that was fixed into the book where it just said, in this very spidery pen and ink handwriting, “I remain, Sir, your obedient servant— Howard Phillips Lovecraft."l was stunned, and asked, “So this is from Lovecraft‘? You knew Lovecraft'?” And he said, “Yeah, sure, I agented a story for him.” I foolishly asked, “What was he like?” To which Julie replied, "Well, it’s funny you should say that, because I remember at the time thinking, “I'd better remember what this guy’s like 'cos in fifty years Alan Moore's going to ask me about it..."So I basically expanded that anecdote as my version of The Book. And there were subsequent chapters of Yuggoth Cultures, also based on Lovecraft's titles, or the feeling of the individual pieces. But most of these were subsequently lost in a taxi cab in London—the only copies. [...]
More info about Lovecraft and Schwartz HERE.
Art by Elsa Charretier |
*ALAN MOORE beamed into the Bureau for an afternoon conversation about counterculture - in his own life and work and in the past, the present and in the future.*We also dig deep into the 60s, the 70s, Thatcherism, Britpop, the power of The Arts Lab, why he doesn’t watch the adaptions of his work, the power of limitations to foster creativity and much much more.
Art by Steven Austin |
Photograph by Mitch Jenkins |
I was working at my local newspaper as a junior photographer when a call came in from Q Magazine, for their first edition they needed a shoot doing with Alan Moore and they offered me a £125 to go and shoot him. Thirty some years later we are are still the best of friends. He truly was a legend way before Watchmen and one of the nicest human beings I’ve ever had the privilege to know. - Mitch Jenkins
Art by Matt Soffe |