Dec 7, 2025

Jacen Burrows: Bits of Moore

Excerpts from an interview posted on Electric Transit few days ago.
You can read the complete piece HERE
I became aware of you from your Avatar Press work. Did you do any comics work before Avatar?
Jacen Burrows:
[...] There was also a brief stint where I worked for Scott Clark as his background assists guy when he was doing Wildstorm work in the 90’s. He just so happened to move into a house a few doors down from me. I drew a big crowd scene in an issue of Wildcats and some random backgrounds in a Spawn/Wildcats crossover. Pretty minimal but I still count it because the script was by Alan Moore!

I’ve read there is an Alan Moore Lovecraft book unreleased by Avatar. Do you have any other unreleased work?
JB:
No, nothing but the aforementioned amateur work. I’m not even aware of the unpublished Moore work at Avatar but that doesn’t mean it doesn’t exist. I just know they were hungry to put out anything they could from him. [...] 
For more info about Jacen Burrows, visit his Instagram page.

Dec 6, 2025

Swamp Thing by Mike Allred

Art by Mike Allred
Above, a stunning Swamp Thing by the legendary Mike Allred

Dec 2, 2025

Alan Moore by Filicio

Above and below, a great portrait of Moore and his favourite god by Italian illustrator, painter and muralist Filicio, nom de plume of Marco Marinangeli.
 
For more info about the artist: Behance - Instagram - Facebook

Dec 1, 2025

Just a number! [2]

Breaking news! The blog has recently surpassed the threshold of... 2 million visits
 
In February, we reached 1.5 million visits, meaning we've added half a million visits in just nine months! 
 
I'm not sure what happened, but in the last two or three months I'd already noticed that visits had increased compared to the usual, reaching an average of 100,000 per month: simply incredible!!! 
 
So... this is just a little celebration. 
See you here, alligators! (For as long as it lasts.)

Nov 29, 2025

La voz del fuego by R.M. Guéra

Art by R.M. Guéra
Above, cover illustration drawn by acclaimed Serbian artist R.M. Guéra for the Spanish edition of Voice of the Fire, published by Planeta DeAgostini in 2006.  Watch this video too.
 
The illustration is currently for sale on the CART Gallery website, HERE.

Nov 28, 2025

Don’t be silly

Cover art by Philip Bond
Excerpt from a fundamental text written by Moore in the 80s. 
You can read it in full at Paul Gravett site, here
 
The following editorial was written by Alan Moore and appeared in Escape Magazine #15 (edited by Paul Gravett and Peter Stanbury) in 1988.
At that time Alan Moore had just set up a publishing company, Mad Love (together with Phyllis Moore and Debbie Delano), and was working on its first release, a 72-page benefit comics-anthology of work donated by the world’s top comic creators entitled AARGH: Artists Against Rampant Government Homophobia.
All the profits from AARGH were donated to the Organisation For Lesbian And Gay Action to safeguard the legal rights of Gay people persecuted by Section 28 of the Local Government Act. This was a piece of legislation enacted in 1988 by the Thatcher Government which stated that a local government authority"shall not intentionally promote homosexuality or publish material with the intention of promoting homosexuality” or “promote the teaching in any maintained school of the acceptability of homosexuality as a pretended family relationship." 
Firstly, forget God. If God exists, it’s unlikely that SpaceTime’s creator worries about our love-lives. A God who’d forego super novas to catch Sol III’s microbes having oral sex is just plain creepy, and has no place in this discussion. Neither do our Jimmy Swaggarts, claiming to represent the deity between visits to the knocking shop. While discussing human desire, let’s ignore superhumans and subhumans.

Secondly, forget ‘unnatural’ sex. Most natural creatures, excluding a few Presbyterian termites, will hump anything within reach if inclined, ignoring gender, species and family relationship. Lacking a hunky tom within pheromone-range, Tabby will back onto your winklepickers without embarrassment. Besides, since when does humanity do things naturally? Camels don’t wear polyester slacks. Amoebas know nothing of Shake’n'Vac. Every other human enterprise flaunts nature, so why is sex special?

Because it’s powerful. Along with death, it’s life’s propelling force. Control sex and death, and controlling populations becomes simple. Death’s easily subjugated: William Burroughs observed that anyone who can lift a frying pan owns death. Similarly, those owning most the pans, troops, tanks or warheads own most the death, and can regulate the supply accordingly. Death’s a pushover, but how do you control desire?
 
[...]

Sex exceeds politics, right or left (assuming you still differentiate). Mary Whitehouse or Andrea Dworkin may outlaw pornography, but can’t stop people wanting it, regardless of legality. Similarly, Section 28 cannot remove the desire for homosexuality. Consenting sex cannot be prevented. There’s regrettably little evidence that even un-consenting sex can be curtailed by legislation alone. Perhaps desire is better comprehended than contained? Perhaps sexual openness would mean less morbid longings, festering alone in darkness?

Despite a panic-stricken ‘moral’ backlash, we progress slowly towards tolerance, understanding. Our sexual turbulence and shattered preconceptions may resolve themselves into a new approach to sex, more various and humane, accepting different loves and lusts without reshaping them into Meccano for our social scaffolding. Sexual awareness rides an upward exponential curve, uncheckable by politicians, popes, police-chiefs. But what of plague?

Is AIDS sufficient to keep the erotic genie in the bottle? Televised health warnings seem increasingly less anti-disease than anti-sex. A youth writhes, unnerved by the ominous soundtrack, while his fishnetted date lounges invitingly. Rather than donning a condom and squelching deliriously till dawn, it’s implied that he should go home to sleep with hands above blankets

Novelists, who should know better, bemoan the inevitability of less sex in fiction. Surely AIDS isn’t transmitted by smut? The only virus afflicting literature are viral ideas of censorship, spreading through parliament, press, publishers and public, leading art towards the terminal ward. Obviously this over-reaction doesn’t make AIDS less terrifying. Quite simply, it will decimate us. While experts demand less discrimination to facilitate monitoring the virus, our government responds with Section 28. Remember that Britain is relatively enlightened concerning AIDS, and shudder.

So, no more sex? On screen, between soft covers or especially in reality? I don’t believe it. Sex survived horrific syphilis epidemics, aroused blood rushing from the brain, ensuring sex continues whatever the dangers. We’ll die of sex or live with it, but never stop it. Even preventing all physical contact wouldn’t prevent sex, which occurs more in minds than mucous membranes. We think about sex approximately every twenty minutes. Lacking physical contact, we’d just think harder. Thermonuclear war would barely slow sex down. Within billennia, cockroaches would rewrite the Kama Sutra.

AIDS may even hasten sexual enlightenment, this sexual crisis mirroring similar crisis in our environment and economies, all forcing a simple, brutal decision: change or die. Change our environmental policies or starve. Change our sexual furtiveness or die, as they say, of ignorance. Up in arms or down in flames, the choice is still ours. Our bodies are ours. No more sex?

Don’t be silly.
Bonus text, excerpt from a 2006 interview by (again) focused on Lost Girls.
Back in 1988, in Escape Magazine, you wrote an editorial piece for me entitled No More Sex in which you said, "Consenting sex cannot be prevented and there’s regrettably little evidence that even Un-consenting sex can be curtailed by legislation alone. Perhaps desire is better comprehended than contained? Perhaps sexual openness would mean less morbid longings festering alone in the darkness?"
Alan Moore: 
That is exactly how I feel today. In the context of that Escape editorial, where we were talking about AIDS, I also probably said that AIDS would probably decimate us before it was done. And the figures suggest that it is well on the way to doing that. One thing that might conceivably be "helpful" in an AIDS epidemic, or pandemic, would be presumably a higher standard of pornography with human values. You cannot get much safer sex than pornography. 

Nov 27, 2025

Caparezza's Orbit Orbit

On the 31th of October acclaimed Italian rapper Caparezza released his latest work, Orbit Orbit, which is both an album for BMG and a graphic novel published by Bonelli.
The graphic novel, available as both hardcover and softcover, written by Caparezza (his debut as comic writer), is drawn by an incredible ensemble of well-known artists: Sergio Gerasi, Riccardo Torti, Nicola Mari, Marco Nizzoli, Renato Riccio, Stefano Tamiazzo, La Came, Yi Yang and Matteo De Longis (cover).
The story features Caparezza as a cosmonaut who embarks on an interstellar journey in search of creative inspiration after a period of isolation. The antagonist is a character named Darktar, clearly inspired by DC Comics' Darkseid.
Caparezza has always been a comic book fan and the album, Orbit Orbit, is crammed with comic book references, including Swamp Thing and Watchmen.
 
Track 4: Darktar
«Nella palude come Swamp Thing»

Track 12 – Pathosfera
«Sono quello freddo della ganga, Dottor Manhattan» 
You can find out all the references on Fumettologica, HERE (in Italian).

The key track of the album is titled A Comic Book Saved My Life. 'Nuff said!

Nov 18, 2025

Alan Moore 72 by Massimo Giacon

Art by Massimo Giacon
In this special day, last but not least... an exclusive new portrait of our beloved birthday boy by the terrific MASSIMO GIACON, acclaimed Italian comic book artist, musician, painter and designer.

For more information about the artist, visit his website & his Instagram page.
 
AUGURONI, Alan! HAPPY B-DAY!

Grazie mille, Maximus!

Alan Moore 72 by Onofrio Catacchio

It's that time of the year again! So... AUGURONIHAPPY BIRTHDAY, Alan! 
 
Above, another brand new portrait gift... by ONOFRIO CATACCHIO, Italian acclaimed comic book artist and illustrator, who has generously contributed (again) to this little celebration!
 
Big Italian hugs, Bearded One! And... grazie ancora, Onofrio!  
 
For more info about Onofrio Catacchio, visit his website HERE and his Instagram page HERE.

Alan Moore 72 by Guido Masala

Art by Guido Masala
Remember, remember the 18th of November! 
 
Above, a fantastic portrait drawn for the occasion by the great GUIDO MASALA, a well-known Italian comic book artist and illustrator currently at work on Bonelli Editore's icon Tex Willer. Grazie mille, Guido!
 
For more info about Masala: Instagram - Wikipedia 

Nov 8, 2025

Business of education and the perfect art form

Excerpts from The Face n.91, November 1987. A gorgeous George Michael was on the cover. 
We were in the midst of the Watchmen phenomenon, of course! 
[...] Back in Northampton the career of the Watchmen maker has followed a curious parallel lo Dr Manhattan’s - a junior lab technician who accidentally steps into an Intrinsic Field Generator, to be instantly transformed to a superman. Beginning his literary life - according to his biography - at the Co-op Hide and Skin division hacking up sheep carcasses, Alan Moore is now all too accustomed to badgering journalists (to whom he is very polite) and TV teams. They come, lured by his six foot, hair-filled features and his unique literary offering to the comic book audience - a moral interpretation of their world. However, fame has effected little change on his outlook. 
"In many ways I see myself in the business of education, there's a huge, hungry audience out there — particularly kids — looking for knowledge that the education system just isn’t providing. Children are maturing faster now because they have to, it's a survival trait in this day and age. I think that parents will soon stop looking misty and forlorn saying ‘Oh they grow up so fast these days’ and accept we're heading into the most rapidly transforming period in human history. Industrial society is now on the way out and something new is coming in. We must have the mental apparatus to deal with it.

After some brief forays into the media apparatus, including Fashion Beast, a screenplay for Malcolm McLaren, Moore now seems fully redeemed to the comic strip as his genre. There is talk of more novels. 
"The comic seems to me the perfect art form for the Eighties. It's a very small package, and information tends to come in smaller and smaller packages these days. Comics combine the best of novels and films in that they have an engaging, involving visual track, but are capable of greater density than a film. A complex film may require several viewings to pick up all the details, but a comic is in the hands of the audience: you can enjoy it at your own speed." [...]