Reddition n. 83 celebrates Watchmen 40th anniversary with a collection of essays and an exclusive interview with Dave Gibbons. Published by Edition Alfons. German language.
https://www.reddition.de/reddition-magazin/reddition83
[...] In the nerve centre of modern storytellers, few figures loom as large as Alan Moore. With his long beard, occult rings and voice that sounds as though it has been steeped in pipe smoke and centuries of folklore, Moore has cultivated an image somewhere between a Victorian mystic and a punk-era radical. But the mythology around him risks obscuring something simpler and more astonishing: Alan Moore is arguably the most influential writer comics have ever produced. That’s why ComicScene readers voted him the Best Comic Writer ever in the ComicScene Awards 2026, alongside Jack Kirby as your favourite artist of all time. [...]
Alan Moore’s legacy is both immense and deeply paradoxical. On one hand, he elevated comics into a form capable of literary complexity and cultural critique. Without Moore, the modern graphic novel might look very different. On the other hand, he remains one of the most vocal critics of the industry that celebrates him.
He has denounced the corporate exploitation of characters, distanced himself from adaptations of his work and eventually announced his retirement from mainstream comics altogether. [...]
Nearly forty years after Watchmen, the comics industry is still grappling with the implications of that insight. And somewhere in Northampton, the bearded magician who started the argument continues to loom over the medium he transformed as a reluctant comic legend.
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| Art by Bruce Timm |
Finished this book 6 years ago; still haven't published it. Too many misgivings, but a lot of time has passed, so maybe this year. Cover art by me (painted in 1984 for Kim Thompson, AMAZING HEROES interview w/Alan issue); cover design, logo Cayetano "Cat" Garza, Jr.
I'd love to read it!
The absurdity of his pre and post election speeches form the source material for The Unquotable Trump, a limited edition publication by satirical artist R. Sikoryak. Real quotes are blended into faultless reproductions of classic comic book covers, perfectly mirroring the original source material while framing Trump’s hubristic comments as the ramblings of a solipsistic supervillain. [from Broken Frontier]
“One of the finest and most original talents ever to emerge from the comic industry.” – Alan Moore, from his introduction.
Silent Pictures by Kevin O’Neill is the capstone to an extraordinary career in comics – two ferocious new books that flicker through the very dreams of art and imagination. Without words, O’Neill conjures an astonishing pair of feverish stories, brimming with detail on every page, packed with some of the most exciting, twisted artwork ever put to paper. Gorgeously painted in luminous colour, no fan of his work can afford to miss out.
In Feartreland we tag along as the son of Dick Whittington flits through a series of pantomime tableaus, splash pages and tortuous punning images. Crocodiles gambol with giant apes, and genies promise adventures on the high seas. An explosive entertainment, bright and bold as the stage that it draws its inspiration from. Meanwhile, The Balaclava Kid invites us into the dreams of the artist’s youth, as his imagination gives him escape from the bullies of a bombed-out London into a dreamscape built of Wild West iconography and Tex Avery action. Demonic cowboys and infernal machines populate shimmering mesas and haunted mines. An adventure like no other!
Presented as a slipcased set of two luxurious hardback volumes, each with a new introduction by frequent collaborator and friend Alan Moore, a total of 800 copies of this stunning duo of books are available from both Knockabout’s retail website, and Gosh! Comics of London, online and in store, kicking off a year of celebrations for the shop’s 40th anniversary.
With King Sorrow, Joe Hill gloriously resurrects the doorstop horror blockbuster for a startling new century - ALAN MOORE, author and creator of WATCHMEN
Alan Moore is 72 years old now. Since the 1980s, he’s been celebrated as the greatest writer in comics history. But he’s done with all that. Full-time novelist now. Finally. Spends his days at home just writing, reading, and smoking “frightening,” “staggering,” “saturating” amounts of weed.
“I use it to work,” as he told Alex Musson. “Always have done.”
Except these days he does it without the weekly deadlines, the phone always ringing, questions and chitchat with illustrators, coauthors, publishers, press — none of it.
Life of a novelist now. Solitude. [...]
[...] He describes the plot of Watchmen, a 1986 graphic novel involving superheroes grappling with moral questions about humanity against the backdrop of impending nuclear war:
The antihero Ozymandias, the antichrist-type figure, is sort of an early-modern person. He believes this will be a timeless and eternal solution – eternal world peace. Moore is sort of a late-modern. In early modernity, you have ideal solutions, ‘perfect’ solutions to calculus. In late modernity, things are sort of probabilistic. And at some point, he asks Dr Manhattan whether the world government is going to last. And he says that ‘nothing lasts forever.’ So you embrace the antichrist and it still doesn’t work.
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| Art by M. Kaluta |
What are your artistic projects for the future?
Alan Moore: Well, I’ve written a couple of short stories that I thought were interesting, and I believe that the illustrative component of The Moon & Serpent Bumper Book of Magic inches towards completion.My main focus at the moment is the forthcoming feature film The Show, directed by my Northampton counter-cultural affiliate Mitch Jenkins, which will be released whenever it becomes possible to release films again. As for what I’m working on right now this afternoon, that would be the second episode of a thus-far-imaginary five season television series that is also, lazily, titled The Show.And I’ve been given an assignment by my second-eldest grandson, Rowan, to present him with a story that is four words in length, so we’ll see how that goes.
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| Art by LRNZ |
So, Alan, now to the really important question. What on earth are those knuckle rings?Alan Moore: My girlfriend Melinda Gebbie got me a wonderful piece of jointed finger armor. It looked wonderful, but completely stupid on its own. It looked like I'd damaged my finger and I'd got some sort of prosthesis. So I had to fill up the other fingers. It became an obsession. It's probably the Gothic flourish of a man in later life. You get to a certain age in life and you find that it pays to draw attention away from your face. [laughs] They look pretty good, and also, nobody messes with you. Not that they did anyway. My hands are registered weapons. They do weigh quite a bit, all that metal-I think it's slowly making my arms longer. [chuckles]
So, picture if you will: The cobbled back alleys of Northampton, as twilight settles, imagine me loping along the alleyways, my knuckles scraping against the cobbles and sending up bright,shearing swathes of sparks. A chilling image...
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| Art by Marco Fontanili |
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| Art by Marco Fontanili |
My favourite story: knowing nothing about comics but knowing Alan from the pub I worked in, I was told by my comic fanatic friend to ask what had happened to the rest of Big Numbers. I did over a pint one night; there was a moment of silence before Alan asked if I wanted a fight. - Tallestpurpl