Nov 18, 2011

Moore and... Frank Miller!

Moore from The Simpsons' episode Husbands and Knives.
In the past days Frank Miller generated a huge "controversy" with his opinion about the Occupy movement. So, it's not strictly related but it could be of some interest to read what Alan Moore said about Miller's 300 in an interview published in 2007 on Tripwire magazine (page 17, Tripwire Annual 2007, Tripwire Publishing Ltd.).

TRIPWIRE: Zack Snyder's directing Watchmen - he did Frank Miller's 300...
ALAN: "Jesus Christ..."

TRIPWIRE: Um, he did the remake of Romero's Dawn Of The Dead as well.
Actually, I didn't think it was bad at all...
ALAN: "Well, I am not interested in either of those films. I was invited to the premiere of 300 but I didn't even like the comics so... I think it's far from the best thing that Frank Miller has ever done. I got as far as the line where one of the Spartans is talking about the Anesthesias and says, "Huh, those boy lovers." I mean, Jesus Christ, the Spartans were famous for things other than being a bunch of tough guys. Possibly Frank should have read a book before he commenced that work... or, you know, more than one. I also don't understand why you want to make a film look like a graphic novel - what is the point of that? It's not a graphic novel, it's a film."

TRIPWIRE: Miller seems to have worked out how to handle Hollywood, though - be as hands-on as humanly possible...
ALAN: "... Or have material that is fairly simple. Sin City is based upon Mickey Spillane and noir films that Frank Miller has seen, so of course you can do something like that as a film. And something like 300 - this is not a complex plot. Three-hundred men defending a bridge against an invading empire - it goes back to the Dark Knight ethos of 'One good man can turn it all around' which I think is simplistic. But it's simplicity that works pretty well with contemporary Hollywood. Most of the stuff I do is intentionally complex - I'm not saying that complex is better than simple but complex you can't make into films very easily."

Nov 16, 2011

AM Portrait: 1963

Art by Massimo Giacon.
In 2003 Massimo Giacon contributed to the Alan Moore: Portrait of an Extraordinary Gentleman tribute book with a very smart and funny illustration celebrating the 1963 miniseries. You can see it in its printed glory at page 94 of the sold-out volume, and obviously, in the above jpg image. :)

Massimo Giacon is a real Renaissance man, not only a well-known comics artist with a decades-long career but also a musician (see a video here), a painter, a performer and a designer. More information about him can be found at his colorful website:
Again, many thanks to Mr. Giacon for his generous support to the Alan Moore: Portrait!