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| From left to right: Lucia Joyce, Melinda Gebbie and Alan Moore. Art by Melinda Gebbie. |
The complete article is available here.
Melinda Gebbie: "I started writing a diary in my twenties. I thought if I write about my life it will get more interesting. And it did. [...]
This has been a very long project. I transcribed everything by hand then realised that was stupid but I always had something against typing so I couldn’t make myself type. I had four different typists. It’s been edited by a really hot pro, Donna Bond, she did a spiffing job. [...]
There was 1300 pages of pure transcription, I whacked off (edited away) 800 of them. The format I think is going to be two books of about 300 pages each. The first one will be about my life in San Francisco until I left it in 1984 and the next will be about the weird land of England up until Alan and I met and started working together.
[...] The book is the main thing. If you live with a champion swimmer and every day you go out to the paddling pool and try to get a little better at frog kicking… I can only get with my own language if I am isolated from the undertow of a certain culturally-valuable husband. It’s not his fault but still…"
This has been a very long project. I transcribed everything by hand then realised that was stupid but I always had something against typing so I couldn’t make myself type. I had four different typists. It’s been edited by a really hot pro, Donna Bond, she did a spiffing job. [...]
There was 1300 pages of pure transcription, I whacked off (edited away) 800 of them. The format I think is going to be two books of about 300 pages each. The first one will be about my life in San Francisco until I left it in 1984 and the next will be about the weird land of England up until Alan and I met and started working together.
[...] The book is the main thing. If you live with a champion swimmer and every day you go out to the paddling pool and try to get a little better at frog kicking… I can only get with my own language if I am isolated from the undertow of a certain culturally-valuable husband. It’s not his fault but still…"
The complete article is available here.
Melinda Gebbie's site, HERE.
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